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There is a connection between the Best Travel Lens For Sony A7Iii and best zoom lens for sony alpha 7 iii information. additional searching needs to be done for Best Wide Lens For Sony A7Iii, which will also be related to Best Travel Lens For Sony A7Iii. Best Zoom Lens For Sony Alpha 7 Iii - Best Wide Lens For Sony A7Iii

70 Tips to Best Zoom Lens For Sony Alpha 7 Iii | Best Portrait Lens For Sony A7Iii

  • The Sony 12-24mm F4 G gives you basically an ultra wide lens for your sony a7iii. The image quality is good overall. It has a great sharpness in the centre, with a small but significant drop towards the corner of the image. This is a small disadvantage when compared to the superb sharpness that the Sony 16-35mm F2.8 GM provides, but I’d say it’s a good trade-off. - Source: Internet
  • If you want a cheaper alternative, consider the Sony FE 50mm F1.8 lens. It’s still a solid choice for a 50mm prime lens. - Source: Internet
  • If you are only going to get one lens consider the Sony 24-70mm F4 Vario-Tessar T FE OSS, one of the best budget lenses for sony a7iii. This is a great upgrade for your standard kit lens. The shooting range should be enough for most of your travel photos, from landscapes to portraits or street photography. - Source: Internet
  • This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
  • As I already mentioned when talking about the best landscape lenses, the Tamron 17-28mm F2.8 Di III is a good budget option if you need a wide-angle lens. Sometimes you don’t need to best of the best, and an acceptable but solid option is preferable. - Source: Internet
  • The Sony FE 100-400mm F4.5–5.6 GM OSS is light and not particularly big, compared to other options. If you are not a professional photographer willing to wait for hours and days on a tripod to get a great shot, this lens is a great option. - Source: Internet
  • Helped by the inclusion of one aspherical element and five ED (Extra-low Dispersion) elements, sharpness and contrast are outstanding for a super-telephoto zoom and amazingly consistent throughout the entire zoom range, right up to 600mm. Color fringing and pincushion distortion are also very negligible at all focal lengths. Autofocus is super-fast and, unusually for a super-telephoto zoom, the physical length remains constant at all focal lengths. All in all, this is a fabulous lens for both full-frame and APS-C format Sony cameras. - Source: Internet
  • The lens is impressive mechanically as well as optically. Its stepping motor autofocus system is very fast and virtually silent in operation, and comes complete with the usual electronically coupled focus ring, which enables very precise manual adjustments. Meanwhile, aperture control is based on an 11-blade diaphragm which remains very well-rounded when stopping down, helping to retain attractive bokeh. - Source: Internet
  • With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
  • Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
    1. Sony FE 16-35mm f/2.8 GM The ultimate wide-angle zoom lens for Sony photographers Specifications Focal length: 16-35mm (24-52.5mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 89 x 122mm Weight: 680g specifications Storage Size 32GB - 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Stunning optics + Fast and silent AF Reasons to avoid - Expensive - Heavy - Source: Internet
  • The FE 16–35mm F2.8 GM is a perfect choice for the photographer who loves taking a range of landscape and wide-angle shots but also wants something they can use day-to-day when walking around a city. This lens weighs 680g (24oz) making it a reasonable option for travellers who want superb quality images. - Source: Internet
  • As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
  • The Sony FE 55 F1.8 ZA is a prime lens, which means you won’t be able to zoom with it. I personally like the restriction, since I believe it forces me to think more when I shoot. In the digital era is too easy to take pictures mindlessly. Having a prime lens makes me stop and think. - Source: Internet
  • The Sony FE 35mm F1.8 lens is the best lens if you want to practice your street photography skills. There’s a lot to love in this lens: small, lightweight, fast, sharp, affordable… - Source: Internet
  • I hope this blog post has been helpful in your quest for finding the perfect lens. Buying a new lens is expensive, so making a good decision is important. However, remember that there are no wrong answers! Even if the lens you buy is not what you were looking for, by using it you might discover a new way of taking photos. And even a new way of seeing the world. - Source: Internet
  • Since it is a prime lens, you won’t be able to zoom. However, I personally find this an advantage when taking street photos. It will force you to move around, to get close to your subject and to think more about what you are actually doing. 35mm is also a great focal length for street photography, as it works well for shooting busy streets, people, portraits… - Source: Internet
  • While I personally love my 55mm lens, I have started to fall in love recently with my new Sony FE 35mm F1.8 lens. I get that extra breathing space that sometimes is vital when doing street photography. And thanks to the amazing quality of the Sony a7iii I can still crop something too wide without losing too much quality. - Source: Internet
    1. Sigma 14-24mm f/2.8 DG DN Art Ultra-wide viewing angles with top-notch quality Specifications Focal length: 14-24mm (21-36mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: N/A Dimensions: 85 x 131mm Weight: 795g specifications Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Great image quality + Robust, weather-sealed construction Reasons to avoid - Less ‘ultra-wide’ than Sony 12-24mm - Not a ‘zero distortion’ lens - Source: Internet
    1. Sony FE 90mm f/2.8 Macro G OSS Big-up the little things in life with this macro lens Specifications Full-frame compatible: Yes Focal length: 90mm (135mm APS-C) Maximum aperture: f/2.8 Aperture blades: 9 Weather seals: Yes Filter thread: 62mm Dimensions: 79 x 131mm Weight: 602g specifications Storage Size 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Super-sharp for extreme close-ups + Useful as a fast, short telephoto lens Reasons to avoid - Expensive for a macro lens - Distance scale inactive for autofocus - Source: Internet
  • The Sony FE 35mm F1.8 lens has superb performance in low-light situations. This makes it ideal for night street photography enthusiasts. No matter if you are shooting the intense neon lights of Hong Kong or Osaka at night or a dimly lit alley in Dublin, the image quality will be rock solid. - Source: Internet
  • All this comes at a price, of course. This lens is definitely on the higher end of the spectrum, and you should only consider getting it if you are serious about your landscape photography. Especially because the competition is strong. Lenses like the Tamron 17-28mm F2.8 Di III might not have such spectacular sharpness but cost less than half the price, making it a fantastic budget wide angle lens for sony a7iii. - Source: Internet
  • As I mentioned in the wildlife section, a good option is to take a small telephoto lens and buy a teleconverter to increase the range. It’s expensive to buy both of them, but it might be worth the investment when you really need that extra edge. The Sony 1.4x teleconverter is a good one. - Source: Internet
  • If you don’t want a prime lens and prefer the flexibility of a zoom one, then a good option is the Sony 24-70mm F4 Vario-Tessar T FE OSS. It’s my pick as the best budget lens, and I think it works well as a street photography lens too. It’s also light and has a good range for street photography. It won’t perform as well as the prime lenses at night, but you won’t find anything better in that regard. Not without spending a small fortune for a much heavier lens. - Source: Internet
  • The lens has a 55mm focal length, which is roughly within the range of a normal lens. This means that the field of view is quite similar to the human eye. Even when I have a zoom lens I find myself going back to 35mm or 55mm quite often, because that’s how I perceive the world. And while the claims of normal lenses being close to the human experience are not without controversy, I think there’s at least some truth in there. - Source: Internet
  • If you need something even cheaper, a great option is taking a prime lens. Prime lenses are much more restrictive since you won’t be able to zoom. However, they offer excellent image quality, are lighter and cheaper. The Sony FE 50mm F1.8 lens is as cheap as it gets, takes amazing sharp images and it’s great in low-light situations. - Source: Internet
  • As a travel blogger, I take seriously my photography gear. Almost all photos on the blog are taken either by me or my partner, so we are very picky when it comes to our lenses. I am the happy owner of a Sony a7iii, one of the best travel cameras out there. This camera has been my companion for many of my trips. I also happen to have a full array of sony full-frame lenses that I have used while travelling, and I’m happy to share my experience and recommendations with you. - Source: Internet
  • The Sony a7iii is an expensive camera, and the lenses are pricey as well. However, that doesn’t mean that you have to spend thousands to get one. There are plenty of good quality lenses out there that won’t empty your bank account. - Source: Internet
  • Sony FE 35mm F1.8 lens: An excellent lens for a classic focal length. 35mm and 50mm are probably the most popular out there, and for a good reason! A 35mm lens is an excellent compromise between a wider lens and one that gets a bit more personal. - Source: Internet
  • Choosing the best Sony wide angle lens is definitely difficult. Both the Sony 12-24mm F4 G lens and the Sony 16-35mm F2.8 GM one are strong contenders. However, if you need to go wide, go wide. The 12mm of minimum focal length can give you the extra edge that you need when you really want to capture something massive. - Source: Internet
  • On top of that, the self-imposed restrictions often make me take better photos than with a zoom lens. I need to think more every time a shoot, and it shows in the end result. Many believe shooting with a prime lens is a great way to improve your skills as a photographer, and I wholeheartedly agree. You just need to get used to “zoom with your feet”. - Source: Internet
  • The Sony FE 35mm F1.8 lens is not only one of the best prime lenses for Sony a7iii, it’s also the best prime lens for travel. As much as I love the 50mm lenses, a short focal length offers a wider angle of view. It might not be the best Sony portrait lens, or the best landscape one, but it’s a great compromise between all options. - Source: Internet
  • If you are taking a telephoto lens for taking pictures of animals as part of a trip, you are probably going to take part on a safari or something similar. Long and heavy lenses are useless here. You are in a moving vehicle, most likely hand-holding your camera, and taking pictures of moving animals. - Source: Internet
  • Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet
  • This is a premium zoom lens that is best suited if you don’t plan to move around much with the lens as it weighs 1480g (52.2 oz). It is an ideal option if you’re a stationary shooter, possibly looking to capture epic nature shots from a set vantage point or shooting sporting events. - Source: Internet
  • Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
  • Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. - Source: Internet
  • Weighing 847g (29.9oz), the FE 12–24 mm F2.8 GM also has a focus hold button and auto/manual focus switch on the body of the lens. - Source: Internet
  • If you’re looking for a zoom lens for your Sony A7RII to act as a complementary telephoto lens then you can’t go wrong with choosing the FE 70–300mm F4.5-5.6 G OSS (also available from B&H Photo here or from Adorama here). With a focal length range of 70-300mm, it’s the perfect complement to the 28-70mm standard kit lens if you’re looking for a longer focal length lens. - Source: Internet
  • Prime lenses are usually lighter and shorter, and this one is no exception. If you are used to carrying bulky lenses give this one a chance. It might shock you how much of an effect it can have! - Source: Internet
  • The Sony FE 100-400mm F4.5–5.6 GM OSS lens is fantastic for wildlife photography. It offers great image quality and a great range for not much weight. - Source: Internet
  • The lens is almost weightless, which is perfect for long days. I often struggle to pick some of my heavier lenses when travelling because I know by the end of the day I’m going to be sick of carrying my bulky camera. After all, if you pay for a lightweight mirrorless camera like the Sony a7iii, why not take advantage and use a light lens as well? - Source: Internet
  • Handling is excellent, with well thought-out controls that have effectively the same layout to those of the smaller 100-400mm lens. Three customisable focus-hold buttons are fitted around the lens barrel and there’s an autofocus range limiter. It’s enhanced in the 200-600mm lens, however, enabling you to lock out either short or long focus range and the optical stabilizer gains a third switchable mode. - Source: Internet
  • The Sony FE 100-400mm F4.5–5.6 GM OSS lens is the perfect option for a travel telephoto lens. It has a great range, fantastic image quality, image stabilization and the most important one: it’s not particularly bulky or heavy for a telephoto lens. - Source: Internet
  • Designed to appeal to those shooting sports, wildlife and action with fast cameras like the Sony a6600, the 70-350mm f/4.5-6.3G OSS super-telephoto lens is an exciting new addition to Sony’s APS-C range. It promises high optical performance, with built-in optical image stabilisation, plus typical G master lens sharpness from corner to corner. Offering 5x optical zoom, the lens is still relatively lightweight and would be a great addition to any kit bag. - Source: Internet
  • Image quality is mostly fabulous, with superb sharpness and contrast, and absolutely negligible color fringing. The only minus points are that barrel distortion is rather noticeable at the short end of the zoom range and vignetting is quite severe at f/2.8, but automatic in-camera corrections are available for both of these aberrations. - Source: Internet
  • Other good alternatives are the Sony FE 50mm F1.8 lens and my beloved Sony FE 55mm F1.8 ZA, which I used for many of the pictures of this blog. - Source: Internet
  • Like Sigma’s 24-70mm Art standard zoom for Sony mirrorless cameras, this one has evolved from a very popular lens that was designed for Canon and Nikon SLRs. Again, there are considerable differences in the construction of the E-mount version, starting with the optical path. The veritable feast of glass includes three aspherical elements, complete with a large-diameter, ultra-high-precision one at the front. Further back, there’s an FLD (‘Fluorite’ Low Dispersion) element and no less than five SLD (Special Low Dispersion) elements. Also like the standard zoom, the ultra-wide lens uses both Super Multi-Layer Coating and Nano Porous Coating, which give a noticeable reduction in ghosting and flare, compared with the older SLR lens. - Source: Internet
    1. Sigma 24-70mm f/2.8 DG DN Art Cheap at half the price Specifications Focal length: 24-70mm Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 88 x 125mm Weight: 950g Today’s Best Deals Check Amazon (opens in new tab) Reasons to buy + Exotic optical path and build quality + Half the price of Sony’s G Master lens Reasons to avoid - It’s no lightweight at 830g - Distortion/vignetting can be noticeable - Source: Internet
    1. Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS This may only be a ‘standard’ zoom, but its quality is outstanding Specifications Full-frame compatible: Yes Focal length: 24-70mm (36-105mm APS-C) Maximum aperture: f/4 Aperture blades: 7 Weather seals: Yes Filter thread: 67mm Dimensions: 73 x 94.5mm Weight: 426g specifications Colour Black Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at BHPhoto (opens in new tab) View at Moment (opens in new tab) Reasons to buy + Fairly compact and lightweight + Optical ‘SteadyShot’ stabilization Reasons to avoid - f/4 widest aperture - 7-blade diaphragm not well-rounded - Source: Internet
  • For a budget telephoto lens, check out the Tamron 70-300mm F4.5-6.3. Tamron is making more and more telephoto lenses for mirrorless cameras lately, which is great news! Some of the Tamron lenses for sony a7iii are an excellent option for a budget version of the more expensive Sony and Zeiss ones. - Source: Internet
  • Sony FE 24-105 F4 G OSS: This is hands down one of the best all-rounder lenses out there. A lens with a versatile zoom range that can work for almost any situation: portrait, landscapes, street photography… Great image quality with minimal distortion when it’s wide open. It also features a dedicated focus-lock button and AF/MF switch, which are some of my favourite features on a lens. - Source: Internet
  • The F1.8 aperture is going to make sure the lens performs no matter the light conditions. Going out on an evening walk through the city? No problem! The images are still going to be excellent. - Source: Internet
  • Sigma has certainly thrown the full weight of its technological expertise into the lens. It has a complex optical path of 19 elements. Of these, there are three aspherical elements, six top-performance FLD (‘Fluorite’ Low Dispersion) elements and two SLD (Special Low Dispersion) elements. In addition to Sigma’s usual Super Multi-Layer Coating, there’s a brand new Nano Porous Coating, to further reduce ghosting and flare. - Source: Internet
  • If you need even more range consider getting a teleconverter. They expand the focal length of your lens. This means that they essentially multiply your zoom, at the cost of a narrower aperture, which might have an impact in low-light settings. They are not cheap, but if you are willing to pay for one, consider the Sony 1.4x teleconverter. - Source: Internet
    1. Sony FE 70-200mm f/4 G OSS A high-quality telephoto zoom, ideal for action sports and wildlife Specifications Full-frame compatible: Yes Focal length: 70-200mm (105-300mm APS-C) Maximum aperture: f/4 Aperture blades: 9 Weather seals: Yes Filter thread: 72mm Dimensions: 80 x 175mm Weight: 840g specifications Colour Black, White Condition New, Refurbished Today’s Best Deals View at Amazon (opens in new tab) View at Best Buy (opens in new tab) View at Moment (opens in new tab) Reasons to buy + On-board, quick-access controls + Tripod collar included as standard Reasons to avoid - Corner sharpness could be better - New 70-200mm f/2.8 available - Source: Internet
  • The FE 24–70 mm F2.8 GM also has a variety of controls on the body of the lens including a zoom lock switch, a focus hold button and a focus switch. All in all, this is one of the best zoom lenses for Sony A7III cameras if you’re looking for a premium upgrade to your standard kit lens. - Source: Internet
  • This lens is great for almost anything. You can go out with the confidence that you might not need another lens. In fact, I often use exclusively my Sony FE 50mm F1.8 lens, another prime lens with a similar focal length, and my favourite lens so far. - Source: Internet
  • The FE 12–24 mm F2.8 GM is also most of the G Master series, meaning it is a premium lens that allows you to shoot spectacular images at lower focal lengths. Its constant f2.8 aperture also means that this lens performs well during evenings or low light situations. - Source: Internet
  • Within each series, Sony indicates its superior models by the letter G and names its flagship mirrorless lenses G Master or GM for short. Models involving a partnership with Zeiss are labeled ZA, and are generally pitched between Sony’s own G and GM lenses in quality. Meanwhile, lenses labeled PZ have a Power Zoom for smooth motorized zooming while filming, while those with OSS refer to Optical SteadyShot stabilisation. Phew, enough of the specs and now on to my recommendations; the text links in the next section take you to B&H to check prices, while links to my full reviews and sample galleries are lower on the page. - Source: Internet
  • The FE 24–70 mm F2.8 GM weighs 886g (31.3oz), making it about double the weight of the standard kit lens with only a little bit of extra range. However, depending on your setup the extra weight could very well be worth the significant upgrade in image quality. - Source: Internet
  • The FE 70–300mm F4.5-5.6 G OSS weighs 854g (30.2 oz) and offers photographers the ability to shoot beautiful closeups in nature, portrait shots or fast-moving objects like sporting events. The lens has an Optical SteadyShot switch on the body of the lens to improve image stabilisation as well as an auto/manual focus switch and focus hold button. - Source: Internet
  • The FE 16–35mm F2.8 GM also has some basic functionality on the body of the lens such as a focus hold button and auto/manual focus switch. All in all, this lens is ideal if you’re looking for a standard kit replacement and find you don’t shoot much at longer focal lengths. - Source: Internet
  • Sony’s mirrorless lenses corrected for use on full-frame bodies like the A7 and A9 series, are labeled FE and have no reduction in their field-of-view when shooting in full-frame modes; these also work on cropped bodies or in cropped modes, albeit again with a 1.5x field-reduction. Sony’s A-mount lenses have SAL in their product codes, but models additionally labeled with DT are designed for bodies with cropped / APSC sensors. - Source: Internet
  • While Sony’s mirrorless lens mount is generically-known as the E-mount, the single letter E on a model name specifically refers to lenses that are only corrected for cameras with cropped APSC sensors, like the A6000 series, or full-frame bodies running in cropped / Super-35 modes; in either case, the crop reduces the field-of-view by 1.5 times, so a 50mm becomes equivalent to 75mm. Note older NEX bodies also employ cropped APSC sensors, but may not have the firmware to correct distortion on some of the latest lenses; they’ll still work, but you may see more distortion that you would on an A6000 series body. - Source: Internet
  • If you are willing to pay the extra money, the Sony FE 85mm f/1.4 GM lens is a good upgrade. The best features of this lens are the even better low-light performance and the amazing bokeh effect. In this range, this is probably the best lens for bokeh. Sony G-Master’s image quality never disappoints. - Source: Internet
  • All in all, the FE 70–300mm F4.5-5.6 G OSS is the perfect zoom lens choice if you want to increase your focal length with a complementary lens to the standard kit or one of the premium all-in-one or wide-angle zoom lenses listed in this guide. - Source: Internet
  • The Sony 24-70mm F4 Vario-Tessar T FE OSS is also one of the lightest zoom lenses out there. This makes it the ideal companion for long days during your trip. Definitely, a solid option if you only want a cheap lens for sony a7iii to take on your trip. - Source: Internet
  • I can’t talk about travel lenses without mentioning prime lenses. Prime lenses have a fixed focal length. They are kind of the opposite of a zoom lens. This means, of course, that you can’t zoom at all with them! - Source: Internet
  • Sony 85mm F1.8: Are you looking for a lightweight, high-quality and affordable lens? Then this is the lens for you. This prime lens is a fantastic all-round portrait lens. And probably the best option when it comes to travel. There are slightly better, heavier and expensive options, but this is the best value for your money. - Source: Internet
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